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    Ah, the Se7en thing still hurts to this day. The song wasn’t groundbreaking but I loved it. The vocals, the callback to Jay-Z’s “Girls”–it should have gone farther than it did. I absolutely agree when you say Timing is everything. And unfortunately Se7ven’ venture into the US had bad timing written all over it.

    I’m wondering how open America is to Asian acts. Are they just considered token one hit wonders? I don’t know if anyone remembers Jin, who was a Chinese-American who earned a spot in 106th and Park’s (BET) hall of fame for his freestyles. He was the first Chinese solo artist to get signed to a big label. But he sort of fizzed out after all of his fame. The point though is that people were willing and open to hearing his music. And the Far East Movement–the jury is still out on whether or not they’ll be accepted as a group with staying power.

  • Anonymous

    I think Kpop nowadays puts way to much emphasis in appearance rather that in talent , and that is a major turn of for a westerner! I mean yeah some  enjoy seeing  music videos and seeing chicks semi naked and all the fanfare, but that is only after really hearing the song. I mean how many of us have really seen a music video of an artist/group without hearing the song countless times on radio or tv? I’m willing to bet that almost no one! What happens in Kpop? Some kpop fans will like the song only after seeing their oppas/unies in the video! Not everyone alright, but heck the kpop fandom are mostly teenagers which will eat anything their oppas release and that in America just doesn’t work!

    They try too much to appeal to the public by going to TV(I’m looking at you SM) or appealing to the younger public (WG), but none of them really tried to make it through radios without leaning on their sex appeal! Lots of people will like a song only after listening to it more than 50 times a day!

    Of course you could also make it through a break out song, but only one it’s not enough if later on you dont’s back it up with decent tracks , i mean how many artists have make it with only one good song? Far east movement? After like a G6, they mostly dissapeared, Inna? (I guess nobody knows who she is now), even the guy with that portuguese song will disapear after his so called “hit” song!

    What I’m trying to say is that they need to stop being an Idol(which is rater impossible) and try beeing an artist in the real sense of the word not the “hey I wrote a crappy rap so I’m an artist”. America is full of everything already, why would they look at some group highly mechanical without any personality unless I see it in a variety show?

    For now I highly doubt any of them will make it…and NO, a colaboration Doesn’t mean Success even if it’s Snoop Dog (I used to love you man) or the selfproclamed rapper KAnye West!

  • doramachan Mara

    Ayyy Girl was a bad song and Kanye made it terrible.

    There isn’t representation of Asians in the American pop industry in general. Asian Americans are struggling to infiltrate the market so I find it hard to believe that any KPOP act can break through and leave its mark. The only Asian act that I can think of that has had any success is Far East Movement.

  • L. Josephine Bach

    I would have liked to see Wonder Girls tied into this, seeing as they toured with the Jonas Bros and actually did chart on the billboards…

  • destinyanglin

    There biggest problem, and I will keep saying this, is that they don’t focus on getting their music out there. RADIO! RADIO! RADIO!

    No one cares that you’ve worked with [insert name here].
    No one cares that your famous in Asia.
    No one cares that you’ve been interviewed by TVs hottest talk hosts.
    shoot, people don’t even care what your individual names are. Here in the States its the music that counts. Granted, the music can be shitty or make no sense and we will still eat it up but we have to HEAR IT first.

    These agencies try to operate like they do in Asia. ‘Look, were all really friendly and have good personalities’ -we. don’t. care. I mean sure, once you’ve established yourself we will start taking interest in who you are but first deliver the music.
    I’ve heard and seen numerous times where they announce an interview with this person and a connection here (and that may be fine and dandy when inside the business -like setting a name for yourself amongst the higher ups) but to reach the masses they need to get their music to as many radio stations as possible.
    I lack the funds to purchase myself a car but when in the car with a friend and I hear a song on the radio that I like or at least hear it enough times it definetly sparks my interest and I at least take the time to look it up and 9/10 I will purchase it.

  • ersby

    My hunch is that, in the UK, K-pop will need to appeal to the pink pound for its initial success. I think that the high concept but mostly nonsensical music videos are quite camp, and the club-friendly or disco/retro themed songs would do quite well in the gay market.

    Also, Europe may be more receptive to Korea, simply because people there are more used to seeing forgeigners in their charts. While I lived in Italy (for a few years), I heard chart hits from acts from UK, US, France, Germany, Spain, Brazil and Romania. Add Korea to the list? Why not.

  • Anonymous

    If Britney Spears, Jonas Bro, Justin Bieber etc were smashing commercial success, then I don’t see how some of these manufactured kpop groups cannot succeed in US and sell millions of albums. Its fallacy to say or think that you have be some great artists to make big in US…its all about good looks, sense of individual styles and some foot works, songs/music and marketing marketing these days….

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